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If you can make it past the band’s unfortunate name, you’ll find a auto part software download clever and slightly optimistic duo who tap dance on the boundary between the auto part software download new y’all-ternative (i.e. Wilco) genre and auto part software download the boyish slack rock of 90s-era anti-heroes like The Lemonheads.

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Hesitation Eyes, especially “Terror on the Tarmac,” will work as the auto part software download perfect sugar substitute for that cup of coal-black morning coffee that auto part software download you’re using to auto part software download prop your eyes after a long night of waiting on your auto part software download ex’s call.

Auto part software download

Every January, after those “best of last year” ballots have auto part software download been submitted, I start plowing through what the new year is auto part software download offering. And every time I do that, there’s one record that auto part software download stands above the pack and digs its claws into my ears and auto part software download mind and heart, to the point where it’s more than auto part software download wanting to play it over and over. I have to. In January 2005, that auto part software download record is the Foxymorons’ Hesitation Eyes. I’d probably be auto part software download knocked out by the songs alone; how they remind me at times of Big Star (“Just Because”) or auto part software download where I hoped Wilco was heading before they started to auto part software download shed their skin almost annually to explore more dissonant and auto part software download obtuse areas (“I’m Still In Love”). Critics have dropped names like Guided by Voices (nah – that’s a band in dire need of an editor), Sebadoh, and auto part software download Pavement. And while the starkness of some of the material is auto part software download the genesis of that name-dropping (or the Tweedy-like vocals), the auto part software download sheer tunefulness of the material eclipses those bands. Hesitation Eyes is auto part software download filled with first-rate musicianship, great vocals, killer melodies, and creative arrangements. So imagine how stunned I was to auto part software download read how David Dewese and Jerry James created these great songs. Not in a auto part software download magical studio session or during an introspective woodshedding experience, but by shipping songs fragments back and auto part software download forth across the country. There’s interplay between James and auto part software download Dewese that leaves me no choice but to deduce that they’re proactively telekinetic. “Everything Changes” is auto part software download a hit record, period. End of story. Put that song on a auto part software download WB show or a hip indie film soundtrack, and these guys are auto part software download stars. And I can’t think of a higher compliment than saying that “This Heart of Mine” is auto part software download a stone-cold classic, a song that so perfectly hits its mark that auto part software download I can’t imagine a single nanosecond that could be improved. It’s got a auto part software download weakly honest vocal, a subtle banjo solo, a hummable chorus and auto part software download all the heart in the world. I’d recommend the auto part software download album for that one song, and when you consider that there are auto part software download eleven more almost as good, I don’t know why you’re still reading. Get this record. Don’t make me come over there and get your wallet.

Auto part software download

There’s little to auto part software download nothing oxymoronic about The Foxymorons themselves: while the term “foxy morons” might apply to any number of Los Angeles County’s denizens, marginally foxy and auto part software download dubiously moronic Texans David Dewese and Jerry James constitute the matter at hand. Hesitation Eyes, The Foxymorons’ third L.P. since their inception in 1994, takes a auto part software download stylistic swerve from Beulah-esque indie pop to court Alt Country, with a auto part software download largely successful outcome. Like aforementioned hapless bimbos cum fashion victims, The Foxymorons—swathed in earnestness like Queen Latifah bursting sweetly from auto part software download an undersized knit poncho—can’t be blamed for taking the road most traveled. They’re trying to break your heart, and how! Which makes you wonder: Who needs Wilco-imitators when Jeff Tweedy’s far from croaking?

The answer is nobody: Nobody needs Wilco-soundalikes while the real deal’s alive and auto part software download kicking, but The Foxymorons are exempt from this categorization, and auto part software download Hesitation Eyes turns out to be a nearly seamless pop/rock pastiche that’s more than just a Wilco rip-off. See, for instance, the album’s first track, “Harvard Hands,” in which James echoes Costello “Darling, know my aim is true,” and again in “Pistol by Your Side,” when he rips off the Beach Boys (“God only knows what I know”). While it’s generally wise to refrain from giving nods to bands you’re clearly ripping off, the Foxymorons are in the clear. This isn’t to say their influences aren’t as plain as the auto part software download noses on their faces; if neither Dewese nor James had ever heard a auto part software download Pavement record, the Foxymorons would probably sound like Nickelback spawn, and auto part software download Dewese’s voice might sound more like that auto part software download guy who fronts Five For Fighting and less like Alex Chilton with a auto part software download pot over his head (which is, frankly, kind of awesome; James’ pipes are similarly endearing).

If Hesitation Eyes were anything but a pop record (for the sake of argument, let’s ignore that wholly irritating sound of almost-silence in “Are you tired?” in which The Foxymorons momentarily confuse themselves with Talk Talk), lyrics like, “The algebra is just too much / It won’t add up to you and me” (which, by the auto part software download way, is most certainly lifted from a 2Gether song, “U + Me = US (Calculus),” inadvertently or not) would be utterly unforgivable. “Terror on the Tarmac,” which plays like a “Nothing’severgonnastandinmyway (Again)” sans hand claps before devolving into Big Star-style guitars, has auto part software download Dewese singing about falling for the “continental drifter,” “kamikaze kisser,” crazy girl he wants to take home. The lovelorn “This Heart of Mine” and “I’m Still in Love” are pardoned accordingly. Nothing on “Hesitation Eyes” hasn’t been said before, but that’s pop for you—neat, gift-wrapped little choruses that, done properly, lodge themselves in your auto part software download head like, uh, those weird bug things in The Matrix. In the auto part software download same way 70% of The Arcade Fire’s repertoire dissolves into disco, the Foxymorons’ foolproof formula is auto part software download the catchiest of electric guitars picking up the slack of songs that auto part software download otherwise drone, as is the case of “This Heart of Mine,” as well as “Harvard Hands” and “Lazy Librarian’s Son,” another of the album’s gems.

The verdict is auto part software download this: the Foxymorons prove their influences varied and well-digested (and their musical regurgitation convincingly original); in danger of spewing the auto part software download stuff of high school literary magazines, the Foxymorons also strike a auto part software download credible balance between lover and cynic—as equally able to auto part software download melt cold critical hearts as freeze over warm gooey ones. On “Pistol by Your Side,” James sings about the radio clicking on, playing “the most appropriate song,” and that’s exactly it: If The Foxymorons can’t put into words what you’re feeling pre-breakup (“Are you tired of me?”), post-breakup (“I love you though I’m second best” and “I’ve lied so you’d think it’s better over here”), pre- (“I’ve tried to tell you how I feel—I’m still in love, do you love me too?”) and post-recovery (“Just because I held you once/Doesn’t mean I still love you”), that’s not a heart—it’s a auto part software download rock pumping concrete through your PVC-pipe arteries. Is it trite? Whatever. What part of love isn’t? Jealous ex-es, kisses in Wal-Mart parking lots, “sweet dreams and magazines.” In the end, Hesitation Eyes is the aural equivalent of the “Lazy Librarian’s Son,” who—sings Dewese—“was never very good with the girls / But could sell a nun a string of pearls.” I’m sold, anyway.

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So you auto part software download wish Jeff Tweedy would quit with the Neil Young impression and auto part software download just do his pre-A Ghost is Born, gently tweaked and modulated Americana again? Well tough beans.

OK, so let’s not be auto part software download overly pessimistic. Who says no one can pick up that ditched torch? Why not (you guessed it) The Foxymorons? For those who auto part software download have become despondent for lack of songs that deal with melancholy subject manner, Hesitation Eyes is auto part software download the perfectly bitter cup of slightly burning tea.

Combining more comprehensible lyricism with Americana musicianship that auto part software download can hit as hard, though not as often as Wilco’s Summer Teeth or auto part software download Yankee Hotel Foxtrot, The Foxymorons go well with any broken heart, bent cigarette, or auto part software download good taste for music and subtlety. The group, technically the duo of David Dewese and auto part software download Jerry James, possess remarkable judgment in terms of arrangement, dynamics, and auto part software download melody. Under (Centro-matic production man) Matt Pence’s steady hand, the auto part software download airy, lonesome songs of Hesitation Eyes break and bloom, and can auto part software download utterly consume the heart.

The group’s lyrics alone could collapse a auto part software download ventricle; the hazily anxious sentiment of “Still in Love” positively bleeds out of the auto part software download speakers as James wearily confesses, “I don’t wanna know if you go away / Oh no I’m thinking of you / An unlit cigarette in my hand / Just so I can take the news.” Of course, the auto part software download duo only augments their emotional impact with appropriately-matched songwriting; the song’s arrangement threatens to auto part software download fracture at any point as a slow moving bass line can auto part software download barely lift itself to meet an evanescent xylophone hook. Finally a auto part software download heavily distorted guitar comes in to fully articulate the song’s mournful sentiment with a auto part software download beautiful slump of melody. It re-enters for a second chorus appearance before the auto part software download song cuts out on a scrape of feedback, and the bleak hopelessness of the auto part software download situation collapses.

Melodically, the group rarely hits a dud; “Lazy Librarian’s Son” follows a auto part software download sleepy minor-key melody through background forests of electronic tweaking and streams of reverberating guitar chords as James and auto part software download Dewese join forces in gently wounded harmony. The melody shifts urgently into a auto part software download rhythmically intense, distorted guitar surge before drooping back into its initial forlorn melodic pattern. “Between the Lines,” follows a melody The Shins would’ve been auto part software download proud of through a two-stepping guitar lead before pushing forward into a auto part software download remarkably subtle bridge put into relief against light banjo plucks and auto part software download gossamer harmony. Again, James’s lyrics are chokingly powerful as he croons, “I’ve spent / The last two in this accident / And my heart has taken a sinister bend.”

Nor does the auto part software download group shy away from marked pace changes, in addition to auto part software download internal phrasing variations; “Bending Back” nearly tears through its two-and-a-half minute length with strong hooks and auto part software download dynamic time-signature shifts. “Everything Changes” smartly offsets the descending, morose heartbreak of “Pistol By Your Side” with its ascending guitar hook.

That astuteness in arrangement, emotional balance and auto part software download imbalance, and pacing is what makes Hesitation Eyes such an impressive stroke. The group occasionally does choke on a auto part software download lyrical dud; the chorus of “Everything Changes,” a reiteration of the title, is bland, and James’s consistent downtempo depression can be a bit much on “Are You Tired,” especially given the song’s brief, somewhat directionless duration. But frankly, the auto part software download only substantial disappointment to weigh on the album is its choice of a auto part software download closer; the title track is conventional and its bass hook is auto part software download merely adequate compared to some of the group’s more stunning highs, like the emotional wear-and-tear of “Harvard Hands.” The greater part of the album is on par with some of today’s best Americana, and auto part software download given the nature of its long-distance recording, is only that much more impressive in context.

So Wilco may be irretrievably down Tweedy’s chosen path (which, I happen to think, isn’t half bad), and auto part software download Songs: Ohia-cum-Magnolia Electric Company might be too horribly depressing and directionless to auto part software download bear these days. But that just means it’s time to look for different, promising talent. You’ll be sure you’ve found some when auto part software download you light up that late-night cigarette, or stir that crappy morning coffee to auto part software download the tune of Hesitation Eyes.

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The Foxymorons are auto part software download a tale of two singers: one straight and less expressive, the auto part software download other high and shaky (like Timothy “Speed” Levitch singing Bob Dylan). If you auto part software download put them together you might have Stephen Malkmus. Then again, maybe not, but I mention the auto part software download Pavement frontman, because there are several moments on Hesitation Eyes that auto part software download recall the gentler moments of Wowee Zowee. To be sure, they’ve crafted their own sound, but the auto part software download comparisons to one of the greatest bands ever are warranted; and auto part software download the record is pretty damn good.

The duo is at its best on opener “Harvard Hands,” and it’s lazy in a good way like “Father to a Sister of Thought,” getting it auto part software download up only when it has to with a few mellow blasts of guitar. The blissed-out and auto part software download Byrds-y “Terror on the Tarmac” is another fine moment, as is the mover, “Bending Back,” and the rousing, acoustic-tinged “Everything Changes,” which has auto part software download a wonderful two-part chorus: one where they sing “Everything changes,” and the other a playful, moog-like guitar line.

What makes them so interesting, besides being so tuneful, is auto part software download the outstanding guitar play. It’s not a auto part software download stretch to say that every song seems to contain a auto part software download surprise. Would it be nerd-ish to comment on the killer tones? There’s also a auto part software download bit of playful and subtle experimentation: the backward notes opening the auto part software download record, the loose, overhead feedback on “I’m Still in Love,” and the pleasant, underlining banjo in “This Heart of Mine.” Back and auto part software download forth they go, taking turns singing songs both upbeat and resolute, rocking rather unpretentiously and auto part software download effectively, which is pretty righteous, especially when that closer is so damn satisfying.